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Also, a single intaglio plate can carry different colors in its recesses (intaglio) and on its surface (relief). This most likely involved multiple plates, especially if the colors overlap, but in intaglio printmaking (unlike lithography or silkscreen) different portions of a single plate can be inked in different colors (the process is called a la poupée). The term also describes the process of using a press to mount paper or other collage material such as cloth to a backing sheet, sometimes with printing on it.Ĭolor Printing If the word color precedes the print description, as in “color etching,” more than one color was used in printing the image. Sometimes the image is scratched or defaced sometimes the entire plate is cut up and recycled.Ĭhine Collé A method of printing in which an image is printed on a thin sheet of paper and the thin sheet is mounted on a backing sheet during a single pass through the press. In a method of platemaking called drypoint, the burr clings to the incisions and creates distinctive soft lines in the print.Ĭancellation The term for any method of assuring that a plate, or other matrix from which a limited edition has been printed, can no longer produce impressions. The burnisher, used with oil, smooths out marks after they have been diminished by scraping the metal with a tool called a scraper.īurr Displaced metal thrown up when any sharp point (usually a tool called a needle) is used to draw into a plate.
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The blade’s two sharp sides remove the metal without leaving a burr and produce a wiry-looking clean line.īurnisher A bent, rounded tool, not a blade, for making changes in a metal plate after it has been incised. Also called etching.īurin A tool with a V-shaped faceted blade used for engraving marks into a metal plate. Spit bite, soap ground, and sugar lift are ways of using aquatint.Īsphaltum A paint-on acid-resistant varnish derived from tar used for protecting metal plates in selected areas to keep them from biting when the plate is exposed to acid.īiting The action of acid on a metal plate to incise an image. Rosin can be sifted onto the plate by hand, which results in an irregular bite, or it can be dusted evenly onto the plate in an aquatint box equipped with a fan or other means of creating a dust storm. The acid bites around the individual grains, and the plate is left with a rough surface, or tooth, that holds ink. Irregular grains of rosin (or another granular acid-resistant material) are applied to a plate, then the plate is heated, causing the grains to melt slightly and adhere to the plate. It is used in intaglio platemaking in diluted strength to etch images into copper or zinc plates.Īquatint The most common method of creating tones in etching. You must repeat the inking and printing process for every print.Īcid A water-soluble corrosive compound that erodes metal. The paper, under pressure, pulls out the ink to make the print.
#WHAT IS INTAGLIO PRINTING FULL#
To make each impression-each print-you ink a plate, or (for works in full color) a series of plates, and use a press to mold a sheet of damp paper into the ink-filled marks. When you are making your marks on a plate, either by etching or drawing directly, you can create different depths and this, along with the process you are using, affects how the print looks. Since Crown Point’s beginning, artists working here have mostly used intaglio printing. The press pushes the paper into the inked lines. To print an intaglio plate, you fill the marks with ink and wipe the surface clean.
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Etching uses acid to mark the plate engraving does not. Aquatint is a form of etching, and drypoint is a form of engraving. Embossing will clearly be visible from the back.Įtching, aquatint, engraving, and drypoint are the primary ways of making plates that are printed in intaglio. You will see embossed plate edges around the image area of an intaglio print the image itself also is embossed. It is the only one that embeds in a paper sheet and physically embosses it. Intaglio is the form of printing we use at Crown Point Press.